On the evening of 22 August 1962, Lieutenant-Colonel Jean Bastien-Thiry led a carefully planned ambush on the presidential motorcade at Petit-Clamart, south of Paris. Acting under the banner of the Organisation armee secrete (OAS), his team opened fire with automatic weapons as de Gaulle’s car passed, riddling the vehicle with bullets. The president and his wife escaped without injury.

The attack, code-named Operation Charlotte Corday, triggered a massive manhunt that swept up nearly all participants within months. Bastien-Thiry was brought before a military court, where he justified the attempt by declaring de Gaulle a tyrant who had betrayed French Algeria. He was sentenced to death and executed by firing squad in March 1963, the last person to die by that method in France.

Historical firing squad execution scene
Historical firing squad execution scene

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On August 22, 1972, John Wojtowicz and Salvatore Naturile attempted to rob a branch of Chase Manhattan Bank at 450 Avenue P in Gravesend, Brooklyn. A third accomplice fled before the robbery began after spotting a police car. Rather than escaping with the cash, Wojtowicz and Naturile held seven bank employees hostage for fourteen hours. Wojtowicz, a former bank teller, had working knowledge of bank operations, but the plan unravelled completely.

Naturile was shot and killed by an FBI agent during the final moments of the standoff. Wojtowicz was arrested and sentenced to 20 years at Lewisburg Federal Penitentiary, serving five. The story became the basis for the 1975 film Dog Day Afternoon, starring Al Pacino.

NEW YORK - Facade of Chase Bank with sunset the rays in New York, USA, business, finance, logo, banking, sign, building, city, financial, exterior, company, money, editorial, architecture, symbol, branch, office, atm, investment, street, morgan, jpmorgan, states, united, cash, deposit, economy, corporation, blue, urban, america, corporate, american, manhattan, nyc, outdoor, commerce, withdrawal, lender, institution, people, brand | ID 164823257 © Photovs | Dreamstime.com
ID 164823257 © Photovs | Dreamstime.com

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In broad daylight on 22 August 2004, masked gunmen entered the Munch Museum in Oslo, Norway, and tore two priceless works from the walls: the 1910 version of Edvard Munch’s iconic The Scream and his enigmatic Madonna. A quick-thinking bystander photographed the thieves as they fled to a getaway car. Fragments of the gilded frames were later found nearby, and fears circulated that the paintings had been deliberately destroyed to eliminate evidence.

Norwegian police arrested a suspect in April 2005, and in early 2006 six men stood trial. Three were sentenced to between four and eight years in prison. Then, in August 2006, police announced they had recovered both works. The Scream bore moisture damage to its lower-left corner; Madonna showed tears and holes on her right side. Before restoration, the Munch Museum exhibited the damaged paintings to the public for five days, drawing more than five thousand visitors.

Edvard Munch, The Scream (1893). Photo: Børre Høstland/National Museum of Norway. CC BY 4.0, via Wikimedia Commons.
Edvard Munch, The Scream (1893). Photo: Børre Høstland/National Museum of Norway. CC BY 4.0, via Wikimedia Commons.

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In the suburb of Carlisle, near Perth, Roderick Davies and family ended their days, leaving behind six farewell letters that described the killings as a spiritual calling. The family had become consumed by a belief in life after death, with Dorothy writing to her mother in Victoria that she had been ‘writing under spiritual control for months’ and had long known they would all be ‘going on soon.’

The coroner, Mr T. Y. A. Lang, described the motive bluntly: a desire for ‘a short road to an attractive hereafter.’ In his letter to police, Davies wrote that he had taken the lives of his wife and children ‘for reasons it would be impossible for me to explain.’ Dorothy’s final words to her mother were: ‘Life holds nothing; Death promises everything.’

Death pact newspaper clipping from Trove 1931 Mirror Perth
Death pact newspaper clipping from Trove 1931 Mirror Perth

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