Dark Stories Tours and Theatre productions often touch on the crime of murder. Dark Stories blog articles will contain stories of murder from all around the world.
Matthew Clark, a footpad from St. Albans, murdered Sarah Goldington, a maid at an alehouse near Willesden Green, stabbing her in the throat and cutting her neck to the bone before robbing the premises. He was 24 years old. Pursuers caught him shortly after when they noticed blood on his shirt sleeve, and he confessed before standing trial at the Old Bailey.
Clark was executed on 28 July 1721. His capture came swiftly, his guilt established by blood on his sleeve and his own words against him.
Ivan Robert Marko Milat, known as the Backpacker Murderer, was found guilty on 27 July 1996 of seven counts of murder, the worst serial killing case in Australian history. His victims, mostly young backpackers travelling the Hume Highway between Sydney and Melbourne between 1989 and 1992, were lured under the pretence of a lift before being taken into the Belanglo State Forest in New South Wales and murdered.
Milat was sentenced to life imprisonment without possibility of parole and spent 25 years appealing his sentence. Police remained confident he was responsible for more killings than those proven at trial. He died in custody on 27 October 2019.
Matthew Clark is the kind of figure who makes true crime so unsettling: not a mastermind, not a hardened villain, but a lazy, cowardly young man whose small vices compound into something monstrous. Lives of the Most Remarkable Criminals introduces him as a creature formed entirely from the worst impulses of low life; idle, drunk, driven by lust, and too timid to commit even the crimes he plans.
Born in St. Albans to parents of modest means, Clark squanders every opportunity placed before him. Dismissed from a gentleman’s household for sheer incorrigibility, he drifts into roadside robbery on the heaths outside London; not from ambition, but because honest labour feels harder than the risk of the noose.
The Georgian world Clark inhabits is one where cowardice and desperation make a volatile combination, and the roads between country and city are lined with gallows that watch every traveller pass. Hear the full account read aloud from Lives of the Most Remarkable Criminals; let this dark voice from nearly three centuries ago carry you into Matthew Clark’s story.
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The past speaks its own dialect; here is what to listen for in this episode.
Footpad: a robber who works on foot, as opposed to a highwayman who attacks from horseback. The footpad was considered the lowest and most contemptible breed of thief; lacking even the theatrical swagger of the mounted robber, he was simply a desperate figure lurking in hedgerows and waiting for someone weaker to come along.
Meaner sort: nothing to do with cruelty here. In eighteenth century usage, ‘mean’ referred to lowly social standing or humble circumstances. The ‘meaner sort’ were the poor and labouring classes; the ones Georgian writers worried most about when it came to moral corruption.
Passengers: today we think of someone sitting in a vehicle, but in this era a passenger was simply anyone passing along a road on foot, horseback, or in a coach. Every passenger on a lonely heath was a potential victim; every stretch of road between towns was a hunting ground.
Junketting: feasting, merrymaking, carousing. The word ‘junket’ still survives in modern English, usually meaning a lavish trip at someone else’s expense, but in Clark’s day it was rawer and more physical: drinking bouts, dancing, and the reckless spending of stolen money on fleeting pleasures.
The matrimonial maggot bit his brain: a wonderfully vivid eighteenth century expression. A ‘maggot’ in this context was a whim or a sudden foolish fancy; the image is of a parasitic idea burrowing into a person’s thoughts and driving them to irrational action. When the matrimonial maggot bit Clark, it meant the notion of marriage seized hold of him like a fever.
Timorous: fearful, easily frightened. Still in use today but far less common, it perfectly captures Clark’s defining trait: a man who plans violence but whose own cowardice keeps undoing him, at least until desperation finally overwhelms his fear.
Jocose: playful, humorous, given to joking. The word carries a warmth and ease that makes its use in this story deeply chilling; Clark sits laughing and flirting with a woman he is already planning to kill.
Made a shift: managed with difficulty, barely succeeded. In this account, the phrase describes a dying woman’s final desperate effort; she ‘made a shift to mutter his name,’ meaning she barely managed to speak it through a wound that should have silenced her entirely.
Lives of the Most Remarkable Criminals is one of the earliest works of true crime writing in the English language, nearly 300 years old, covering murderers, thieves, highwaymen, forgers, coiners and worse.
The book is entirely in the public domain and every word of it can be read today for free. But if you would rather listen, this podcast does exactly that: one criminal at a time, every week, read aloud.
True crime was not invented by podcasts or streaming services. Eighteenth century readers were just as fascinated by outlaws and killers as we are today. They just consumed their dark stories by candlelight.
The voice you hear is David Dark: crime researcher, theatre script writer, producer of live immersive experiences, and audiobook narrator and voice artist. This podcast uses an AI voice model trained on David’s own voice, built using the maximum available training data to faithfully represent how he actually sounds. To hear David’s real voice in human generated form, visit him on Audible, Online Stage, Voices of Today, Spoken Realms, and Internet Archive.
Jane Griffin is a woman of sharp wit, good reputation and a violent temper she cannot govern. As Lives of the Most Remarkable Criminals tells it, she keeps a busy inn in Smithfield with her husband, drawing customers with her charm and driving them away with her rages; a figure who belongs as much to the annals of true crime as to any cautionary sermon.
She is well-bred, well-spoken and genuinely kind when calm; yet anger moves through her like weather, sudden and ungovernable. The domestic world she has built is real and prosperous, but it sits on a fault line that runs straight through her own character.
In the close quarters of a Georgian inn, temper and proximity are a volatile combination, and the question is never whether a spark will fall but when.
Hear the full account of Jane Griffin read aloud from Lives of the Most Remarkable Criminals; let this voice carry the weight of a story that has waited nearly three centuries to reach your ears.
Click the RSS feed link below to subscribe and get new episodes the moment they drop.
The past speaks its own dialect; here is what to listen for in this episode.
Malice prepense: This is the old legal term for premeditated ill intent; deliberate, thought-out malice as opposed to a spur-of-the-moment act. In court it carried enormous weight: proving malice prepense could mean the difference between a lesser charge and a capital conviction. Today we would say ‘premeditated’ or ‘aforethought,’ but the older phrase has a colder ring to it, as if the law itself is whispering that it already knows what you were thinking.
Stays: Not pauses or delays; in this context, stays are the rigid, boned corset worn tight around a woman’s torso. They were everyday armour in Georgian England, laced and stiffened to shape the body. When the text notes that the maid’s stays happened to be ‘unluckily open,’ it means the one piece of clothing that might have stopped a blade was unfastened at exactly the wrong moment.
Ordinary of Newgate: The Ordinary was the prison chaplain assigned to Newgate, London’s most notorious gaol. His duties went far beyond spiritual comfort: he attended the condemned in their final days, recorded their confessions, and often published pamphlets about their lives and crimes for a hungry public. The Ordinary was part priest, part journalist, and part spectacle-maker.
High words: Today we might say a ‘heated argument’ or ‘shouting match.’ In eighteenth century usage, ‘high words’ meant angry, raised voices exchanged between people in a dispute. It sounds almost polite now, but at the time it signalled a confrontation that had moved past reason.
Taxed her with: Nothing to do with money. To ‘tax’ someone in this period meant to accuse them, to lay blame at their feet. It carried a bluntness that the word ‘accused’ sometimes softens; to tax someone was to challenge them directly and expect an answer.
Aspersed: To asperse someone was to spread false or damaging stories about them; to smear their name. We still have the noun ‘aspersion’ in phrases like ‘casting aspersions,’ but the verb itself has all but vanished. Jane Griffin uses the word to describe those who slandered her during her imprisonment, adding cruelty to an already crushing situation.
Temporal concerns: This does not mean time. ‘Temporal’ here means worldly, earthly; the practical matters of money, property and livelihood as opposed to the spiritual welfare of the soul. When Jane begs her husband to attend to his temporal concerns, she is telling him to keep the business alive and the family fed after she is gone.
Lives of the Most Remarkable Criminals is one of the earliest works of true crime writing in the English language, nearly 300 years old, covering murderers, thieves, highwaymen, forgers, coiners and worse.
The book is entirely in the public domain and every word of it can be read today for free. But if you would rather listen, this podcast does exactly that: one criminal at a time, every week, read aloud.
True crime was not invented by podcasts or streaming services. Eighteenth century readers were just as fascinated by outlaws and killers as we are today. They just consumed their dark stories by candlelight.
The voice you hear is David Dark; crime researcher, theatre script writer, producer of live immersive experiences, and audiobook narrator and voice artist. This podcast uses an AI voice model trained on David’s own voice, built using the maximum available training data to faithfully represent how he actually sounds. To hear David’s real voice in human-generated form, visit him on Audible, Online Stage, Voices of Today, Spoken Realms, and Internet Archive.
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