Nathaniel Hawes is barely out of his apprenticeship when he begins stealing from his master’s cash box, a slow slide from mischief into something far darker. Lives of the Most Remarkable Criminals presents him as one of those young men who mistakes recklessness for courage; a Norfolk grazier’s orphan who falls into expensive company and never finds his way back out.
Among the true crime figures of early Georgian England, Hawes stands out not for cunning or calculation but for sheer, blistering nerve. He is sprightly, sharp, and utterly convinced that boldness alone can carry a man through any danger the world throws at him.
The roads around London are about to learn what that kind of conviction looks like on horseback, and the courts of justice are waiting to answer it in kind.
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Dark Lexicon: Old words. Dark meaning.
The past speaks its own dialect; here is what to listen for in this episode.
Grazier: today the word barely registers, but in the eighteenth century a grazier was a substantial farmer who fattened cattle or sheep for market. It carried weight; a rich grazier meant a man of real rural prosperity, the kind whose estate might be worth fighting over after his death.
Put him out apprentice: this phrase describes the common practice of placing a young person with a master tradesman to learn a craft, usually for seven years. It was less a choice than a transaction; guardians paid a premium to bind the child, and the master gained cheap labour in return.
Good parts: nothing to do with physique. In Georgian speech, to say a man had ‘good parts’ meant he was clever, quick witted, and naturally talented. It was a compliment that made his criminal waste of those gifts all the more pointed.
Runners of the prison: these were low ranking servants or turnkeys who fetched and carried within the gaol, running errands for both keepers and inmates. They occupied a murky space; paid poorly by the system, often tipped by prisoners, and rarely trusted by either side.
Crow: today we might say crowbar, but in the early 1700s the tool was simply called a crow. It referred to any iron bar with a flattened, slightly curved end used to prise things apart; in this case, stones from a prison roof.
Stays: what we now call a corset. Stays were stiffened undergarments worn by women to shape the torso, but the rigid boning also created hidden channels and flat surfaces perfect for concealing tools, cord, or contraband against the body.
Sentence of the press: this is the legal term for peine forte et dure, a grim procedure in which heavy weights were placed on the chest of a prisoner who refused to enter a plea. It was not punishment for the crime itself; it was punishment for silence, designed to force the accused to submit to the court’s authority.
Mute: in a courtroom context, standing mute did not simply mean staying quiet. It meant formally refusing to plead guilty or not guilty, which halted the trial entirely. The law treated this refusal as a kind of defiance so dangerous it required its own brutal remedy.
Profligate: the word still exists but has softened over time. Today it suggests wasteful spending; in the 1720s it carried a heavier moral charge, meaning utterly dissolute, abandoned to vice, and beyond the reach of shame.
About This Series
Lives of the Most Remarkable Criminals is one of the earliest works of true crime writing in the English language, nearly 300 years old, covering murderers, thieves, highwaymen, forgers, coiners and worse.
The book is entirely in the public domain and every word of it can be read today for free. But if you would rather listen, this podcast does exactly that: one criminal at a time, every week, read aloud.
True crime was not invented by podcasts or streaming services. Eighteenth century readers were just as fascinated by outlaws and killers as we are today. They just consumed their dark stories by candlelight.
The voice you hear is David Dark: crime researcher, theatre script writer, producer of live immersive experiences, and audiobook narrator and voice artist. This podcast uses an AI voice model trained on David’s own voice, built using the maximum available training data to faithfully represent how he actually sounds. To hear David’s real voice in human generated form, visit him on Audible, Online Stage, Voices of Today, Spoken Realms, and Internet Archive.
